Prabhas’ much-anticipated horror-comedy The Raja Saab is clearly losing steam at the box office as it moves deeper into its second week. After opening to decent numbers and enjoying a fairly stable first week, the film has now begun to show signs of fatigue, with Day 9 turning out to be its weakest day so far in terms of earnings.
Directed by Maruthi, The Raja Saab entered theatres with strong expectations, riding on Prabhas’ massive fan following and the curiosity surrounding its horror-comedy genre. The film managed to collect close to ₹130 crore during its first week across multiple languages, a respectable figure that initially suggested a steady run. However, the post-weekend trend tells a different story.
Lowest Single-Day Collection So Far
On its ninth day, which was the second Saturday of its theatrical run, The Raja Saab earned approximately ₹2.86 crore in India, according to trade estimates. This marked the lowest single-day collection for the film since its release. Compared to Friday’s figures, the film saw a decline of nearly 18 percent, indicating a noticeable drop in footfalls despite the weekend advantage.
Saturday collections are typically expected to witness at least a minor jump, especially for a big-budget star vehicle. The fact that The Raja Saab failed to capitalize on the weekend reflects weakening audience interest and limited repeat viewership.
Total Collection Crosses ₹136 Crore
With Day 9’s earnings added to its tally, the film’s total India box office collection now stands at around ₹136 crore. While this number may appear strong on the surface, the sharp slowdown raises concerns about how much further the film can grow in the coming days.
The declining trend suggests that The Raja Saab may struggle to maintain momentum unless it sees a sudden turnaround through positive word of mouth or increased occupancy in mass centres. So far, audience response has been mixed, with several viewers expressing disappointment over the execution despite appreciating a few comic moments.
What Lies Ahead for The Raja Saab?
As the film enters the crucial weekdays of its second week, the box office journey becomes even more challenging. New releases and existing competition could further eat into its screen count and show timings. For a Prabhas-led film mounted on a large scale, sustaining strong numbers beyond the opening phase is critical to achieving long-term box office success.
Unless The Raja Saab manages to stabilise its collections soon, its theatrical run may wrap up earlier than initially expected. All eyes are now on how the film performs in the coming days and whether it can avoid further steep drops at the ticket counters.
The box office journey of The Raja Saab has entered a crucial phase as the film moves deeper into its second week of theatrical release. Starring Prabhas in the lead role, the Telugu horror-comedy initially generated strong buzz among fans and moviegoers. The opening week reflected this excitement, with impressive footfalls across major centers and solid collections from multiple language versions.
However, as the days progressed, the film began showing signs of fatigue at the ticket counters. By Day 9, which marked the second Saturday of its run, The Raja Saab witnessed its weakest performance so far. The drop in earnings suggests that the initial curiosity-driven audience turnout is gradually slowing down, a trend commonly seen after the first weekend for most big releases.
Despite the slowdown, the film has managed to maintain a respectable overall total. Crossing the ₹136 crore mark in India indicates that the movie still holds value at the box office, supported by Prabhas’ massive fan base and decent performance in select regions. Trade analysts believe that word-of-mouth, upcoming weekdays, and competition from new releases will play a key role in determining the film’s long-term box office fate.
While the pace has reduced, The Raja Saab remains one of the notable releases of the season. Its performance highlights how audience preferences are evolving and how sustaining momentum beyond the first week has become increasingly challenging in today’s competitive cinema landscape.